* * * * * * * * * * * * * * * * Dreaming dreams of Kurosawa when you remember?:
The man at the pleasure of sinking
- in the gutter? - Magdalena asked
and laugh because it's the snow.
If you do not realize, if you hurry, if not together
- mud?
forces will end badly.
now makes me laugh and laugh so much without sounding
(foreign). The body is stretched away.
We screwed it - me. Who
the
is shared between the gutter and snow?
("is" he insists, as if, even without an accent, what was deleted
it were). While anyone doubts whether to continue or stay
(ditch-snow)
out the window come the sounds of cumbias
and the smell of roast: neighbors again.
What makes them so happy? Do not see the piece,
sleep, the body, break, cry?, And why it would
? They are with their own flesh,
a barbecue is not an everyday thing.
is in dreams that debate output:
hit the next door, an entrance to the party.
------------------------------------------------ - (unpublished) * Susana Szwarc was born in Quitilipi (province Chaco) in 1954. is teacher and writer.
Narrative:
The artist's dream and other stories (Three Times, 1981);
Braids (Novel, Legasa, 1991). Chance creaks
(Stories, Brochures, 2006).
A light Happiness (Stories, Edic.Ross, 2007)
Theatre: Landscape
after trains, represented in the Olympia Theatre in Buenos Aires in 1985, directed by Guillermo Asencio.
Braids, the secret stolen , represented by Liberate in 1994, directed by Irma Paso.
Just what is lost , represented in the chapel of the Muses and the Cultural Center of Cooperation in 2003, directed by Irene Rotemberg.
Poetry: As separate
(Last Kingdom, 1988);
steppes Bailen (De la Flor, l999). Barbara says
(Alcyone editor, 2004,2005).
Bird step (CSILC, 2009) Children's Literature
:
Once there was a drop (l996)
Quirquincho Books was once a circus (l996) Books
Leaving Quirquincho Road and Other Stories (l997) Books
Quirquincho Awards: National Award
-Initiation-Poetry Prize, Unesco,
Torch Award for Artistic Creation,
Fellowship National Endowment for the Arts,
single unpublished poetry award of the Municipality of City of Buenos Aires,
Award International Short Competition Julio Cortázar, among others. Anthologies
Women 3, Visions century (IMFC, 1998)
poetic Making Julio Ortega and María Ramírez Ribes (call for voices of Latin American poetry), 2009.
Presentations at our cycle : October 2004, August 2009, September 2010
*
Even after
------ Interview with Susana Szwarc in LITERATURE VIVA, the September 22, 2010
SUSANA
: I want to clarify that the book "Birds of passage" published in 2009 consists of a part that belongs to another book of mine "In the separate" from 1988, and some new, unpublished, called "Still after "
LV: Reading your poem" How? "I wonder if" real drowning us out of bed?
SS
: the real thing grabs us, no longer written. Is about the enigmatic.
LV: You chose to lead the selection of "In the separate" a fragment of Walter Adet, who says that life is abundant only "Back in separately. Far away, in what has been lost forever "...
SS: Walter Adet Salta is a poet and what he said gave his name to the book. Now I remember Lezama Lima and his statement: "eager is he who flees from her mother." There is an abundance where there is more space.
LV: you mean vacuum? SS
I do not know ... I think I do not think now that there is a vacuum. It's full of stuff. The memory always brings things. It is memory that makes us subjects and even up to us. One does not remember what he wants. LV
: Following your poetry, you say: "No patio is complete / not even the mother."
SS: It seems that time Freud was reading a lot! True, no territory, no patio, is complete. The script only manages to touch the fragments. There is something one "takes", that something of the order of the enigmatic. And then the poet chooses, work, and there is not an emotional act.
LV: In your poem "has no name" I bring this question: Will it be / in self test, the enemy? SS
: this poem has a heading of Hirsch Glik, who wrote in the forced labor camp rész (Lithuania) during the German occupation, the anthem of the Partisans. Today we talked about the identity (being Chaco, being Jewish, being a poet) and not a word I like. I think there identity, but identities, traits that bind us. In my house always practiced rebellion. I remember my mother wondered why she had to take Hagar Sara or why God had to order Abraham to do that. A rebellion against the law.
LV: A very nice poem that gives its name to the second part of the book: No war / stop the frost / or laughter. / / Bloom / lilies / even / after. /
SS: I remember a story of Virginia Wolf, would not hear the news of the war because he was planting lilies that were to flourish even after the war ended.